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Интересен раздел, посвященный европейской резцовой гравюре 17-19 вв., лучшие образцы, достойные музейных коллекций, среди которых эстамп Бернара Пикара, уникальный лист, отсутствующий даже в собрании Эрмитажа и Британского музея.
Среди произведений живописи советуем обратить внимание на два живописных полотна С.А. Волохова, автопортрет художника и работу "Телефонный разговор", полные внутреннего смысла и нестандартно решённые по композиции, образец творчества одного из ведущих нонконформистов-шестидесятников.
Особенно хотелось бы отметить японскую графику 18-19 вв. Только классики школы Утогава, вошедшие в золотой фонд японской ксилографии.
Интересен раздел графики советского периода, обратите внимание на работы С.Г. Чернышёва, подборка передает практически дневник жизни художника в период с середины 70-х до начала 80-х гг., работы наполнены теплотой и даже некой атмосферой интимности.
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פריט 8:
Utagawa Kunisada (1786-1864), also known as Utagawa Toyokuni III, "A scene from a kabuki theater performance", wood ...
עוד...
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מחיר פתיחה:
10,000
p
הערכה :
10,000p - 15,000p
עמלת בית המכירות: 20%
למידע נוסף
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Utagawa Kunisada (1786-1864), also known as Utagawa Toyokuni III, "A scene from a kabuki theater performance", wood engraving, 25х35
little detailed information about the life of Utagawa Kunisada has been preserved. He was born in Honjo, an eastern district of Edo, his given name was Sumida Shōgorō (Jap. 角田 庄五朗 Sumida Shōgorō), аs well as Sumida Shōzō (Jap. 角田 庄蔵 Sumida Shōzō). He died there almost 80 years later. The father died when the boy was not even a year old. The family lived on the income from the ferry that they owned. The talent for drawing manifested itself in the future artist early. His early sketches at that time impressed Utagawa Toyokuni, the great master of the Utagawa school and prominent designer of kabuki and actor-portrait prints. In the year 1800 Kunisada was accepted by Toyokuni I as an apprentice in his workshop. In keeping with a tradition of Japanese master-apprentice relations, he was then given the official artist name of "KUNI-sada", the first character of which was derived from the second part of the name "Toyo-KUNI".
His first known print dates to the year 1807. However this seems to have been an exceptional design, and further full-sized prints appear starting only in 1809–1810. As of 1808 he had already begun work as an illustrator of books, and his popularity rapidly increased. In 1809 he was referred to in contemporary sources as the "star attraction" of the Utagawa school, and in 1810-11 was considered as at least equal to his teacher Toyokuni in the area of book illustration. Kunisada's first actor portraits appeared in either 1808 or 1809. It is known that his first bijin-ga series and a series of pentaptychs of urban scenes of Edo, appear simultaneously in 1809. By 1813 he was officially acknowledged as the second ukiyo-e style master with ranking (behind his teacher Toyokuni).
Beginning around 1810 Kunisada used the studio name Gototei, found until 1842 on all of his kabuki engravings, around 1825 the studio name Kochoro appeared — for all his other works. In 1844 Kunisada takes the name of his master and signs some of his works as Toyokuni III.
Utagawa Kunisada is one of the top three great ukiyo-e masters who came out of the Utagawa school - along with Utagawa Hiroshige and Utagawa Kuniyoshi, during his lifetime far surpassing these last two both in popularity and in the sales of his works
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